Dear Shareholder, Fabio Lattanzi Antinori solo exhibition, The RYDER, 9 December 2016 – 28 January 2017

The stock market, an endless pool of changing values. A constant movement of data circulation that stands behind the curtains of our everyday life. Its mechanical wheels turn slowly in the back stage’s of international corporations, translated into mathematical equations that

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Dear Shareholder, Fabio Lattanzi Antinori solo exhibition, The RYDER, 9 December 2016 – 28 January 2017

The stock market, an endless pool of changing values. A constant movement of data circulation that stands behind the curtains of our everyday life. Its mechanical wheels turn slowly in the back stage’s of international corporations, translated into mathematical equations that

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embassyHACK 15 April – 06 May 2016, the Government Art Collection, London.

Bish & Matthew Hardern, Albion Voice, 2014. Single channel video. Courtesy of the artists A national embassy is the nerve centre of a country’s diplomatic affairs. As a physical extension of the nation-state abroad, it facilitates the work of the

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embassyHACK 15 April – 06 May 2016, the Government Art Collection, London.

Bish & Matthew Hardern, Albion Voice, 2014. Single channel video. Courtesy of the artists A national embassy is the nerve centre of a country’s diplomatic affairs. As a physical extension of the nation-state abroad, it facilitates the work of the

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Panacea, 13th November – 12th December 2015, 43 Inverness street Gallery, London.

‘The Wound Man’ Illustration From Feldbuch der Wundarzney (Fieldbook of Wound Surgery) by Hans von Gersdorff. Published in Strasbourg in 1519. What do we do when it hurts? What does it mean to have an open wound? ‘Panacea’ is a

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Panacea, 13th November – 12th December 2015, 43 Inverness street Gallery, London.

‘The Wound Man’ Illustration From Feldbuch der Wundarzney (Fieldbook of Wound Surgery) by Hans von Gersdorff. Published in Strasbourg in 1519. What do we do when it hurts? What does it mean to have an open wound? ‘Panacea’ is a

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Partial Presence – Zabludowicz collection, 29 Jan – 22 Feb 2015

  Partial Presence takes at its core the idea that artworks possess varying degrees of physical and conceptual presence during their lifespan. Journeying from the initial stages of creative conception and fabrication, an artwork enters maturity and self-awareness through exhibition

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Partial Presence – Zabludowicz collection, 29 Jan – 22 Feb 2015

  Partial Presence takes at its core the idea that artworks possess varying degrees of physical and conceptual presence during their lifespan. Journeying from the initial stages of creative conception and fabrication, an artwork enters maturity and self-awareness through exhibition

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BADLAND Sonia Payes & Nabil Savio Azadi 17 July to 9 August 2014

The Badland: a place of cruel, unmarked beauty. Its original meaning refers to dry, harsh territories characterised by a lack of vegetation and water. The Badland is also the realm of the outcasts, strongly associated with our fear of the strange

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BADLAND Sonia Payes & Nabil Savio Azadi 17 July to 9 August 2014

The Badland: a place of cruel, unmarked beauty. Its original meaning refers to dry, harsh territories characterised by a lack of vegetation and water. The Badland is also the realm of the outcasts, strongly associated with our fear of the strange

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SKIN ISSUES, June 2013, La Chapelle des Petits-Augustins, Paris

“SKIN ISSUES” General view “Alehandro” plaster, pump, water 130x145x130 cm – 2011 “La glaneuse” plaster, pump, water 165x60x50 cm – 2013

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SKIN ISSUES, June 2013, La Chapelle des Petits-Augustins, Paris

“SKIN ISSUES” General view “Alehandro” plaster, pump, water 130x145x130 cm – 2011 “La glaneuse” plaster, pump, water 165x60x50 cm – 2013

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“POINT NOIR, CORPS TENDU” (Blind spot, twisted body) Group exhibition 2012

«A blind spot, scotoma, is an obscuration of the visual field. A particular blind spot known as the blinds- pot, or physiological blind spot, or punctum caecum in medical literature, is the place in the visual field that corresponds to

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“POINT NOIR, CORPS TENDU” (Blind spot, twisted body) Group exhibition 2012

«A blind spot, scotoma, is an obscuration of the visual field. A particular blind spot known as the blinds- pot, or physiological blind spot, or punctum caecum in medical literature, is the place in the visual field that corresponds to

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David Duvshani, “JOURNALS” (Cahiers) 2012

David Duvshani is a painter. He often works in small-scale scetch journals, where he draws and paints landscapes and scenes inspired by his surroundings. These sketches form his basic material, from which he produces other works. Much like a purifying factory

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David Duvshani, “JOURNALS” (Cahiers) 2012

David Duvshani is a painter. He often works in small-scale scetch journals, where he draws and paints landscapes and scenes inspired by his surroundings. These sketches form his basic material, from which he produces other works. Much like a purifying factory

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